Great swatches of Canadian literature are occupied by a collective phenomenon I call phantom characters.
These are fictional human beings who don’t really emerge from the narrative, or assume rounded dimensions. They’re like individual blanks accompanied by a set of instructions from the author to the reader, on what to make of them. These semi-human personalities often have a mysteriously soulful presence and display extreme, but somehow poetically appropriate, behaviour.
Jane Urquhart and Michael Ondaatje love this sort of character, and now Vancouverbased author Lee Henderson, in his debut novel, The Man Game (Viking Canada, $32), joins their company. Numberone phantom character in the novel, set mostly in 1886 Vancouver, but intertwined with a narrative of the present-day city, is 17-year-old Molly Erwagen, married to Sammy Erwagen, quadriplegic bookkeeper to a Vancouver sawmill manager. Her green eyes, “flecked by a saffron cascade of fallen flames,” and her “moonlit” beauty have a preternatural effect on men, who view her as a “goddess.” One besotted male claims, “She’s how we know God exists.” Another man, in her presence, feels like “a peer to God.”
Why exactly they feel this way we don’t know. It must have something to do with that saffron cascade. This arbitrariness becomes a problem in the works of Urquhart and Ondaatje because sooner or later their phantom characters find themselves in a conventional narrative, but at least The Man Game, from start to finish, is an assay into the “unknown weird,” as one character puts it. Anything goes. Case in point is the “man game” of the novel’s title, an invention of Molly’s. The game is a rarefied form of pro-wrestling between two naked men — the nudity keeps the game “honest” — a combination of martial arts, dancing and acrobatics. Read the rest of this entry »
At Stanley Park, the Hollow Tree is braced by two beams and could be mistaken for a giant, primordial tripod. In Lee Henderson’s mind, the long-standing but ailing park attraction appears too small.
Henderson, whose first novel, The Man Game (Penguin, $32), is set in an earlier period of Vancouver’s history, when the park was occupied by squatters, a Native settlement, and a herd of free-range cattle, describes archival photos he’s seen in which people pose with cars and elephants inside the tree. In his novel, he’s set a pivotal scene, in which one character spurns another’s advances, at the local landmark.
“It must have been pretty huge at one time,” says Henderson about the tree, which, he tells me, has shrunken as it’s dried out over the decades. “It’s still pretty towering.”
The Man Game isn’t your typical historical novel, one that tries to conjure a place in the past as accurately and believably as possible. Although thoroughly researched, the book is full of deliberate anachronisms, including its eponymous conceit: a Greco-Roman–style wrestling competition between naked lumberjacks that transfixes the city in its early days. Read the rest of this entry »
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September 18th, 2008
by Lee | Filed under Reviews
Michel Basilières wrote this review in the Toronto Star.
Raw and rough and just right
Lee Henderson’s inspired imagining of frontier Vancouver is a loose, baggy monster of a novel that already has him in the running for the big book prizes
Aug 31, 2008 04:30 AM
Michel Basilières
The Man Gameby Lee Henderson
Penguin Canada,
513 pages, $32
Hooray for The Man Game, and hooray for Lee Henderson.
Henderson is the author of one previous book, The Broken Record Technique, a fine collection of short stories that won the Danuta Gleed literary award in 2003. He’s also got a great-looking website. The Man Game is his first novel, and it’s a terrific debut. Read the rest of this entry »
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September 6th, 2008
by Lee | Filed under Reviews
Thanks to Debbie Patterson for the review in the Winnipeg Free Press
Remarkable first novel full of compelling surprises
It’s surprising that a book called The Man Game should have a woman as the central character, bit it’s only the first of many compelling surprises in Vancouver writer Lee Henderson’s remarkable first novel.
The Man Game itself turns out to be an imaginary activity in present-day Vancouver that seems to owe something to Chuck Palahniuk’s Fight Club.
It’s an extreme sport that combines brutal violence and slapstick comedy with elements of ballroom dancing and vaudeville.
Competitors are awarded points for successfully executing moves with names like the “Medical Breakthrough,” “Flipping the Bird” and “The Boxing Chinee.” Spectators crowded into the squalid backyard drink beer, cheer and boo, and bet heavily on the outcome.
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September 6th, 2008
by Lee | Filed under News, Reviews
Thanks to Greg Buium for an in-depth write-up on The Man Game for the CBC, that includes mention of Superconductor, George Bowering, and Father Zosima Presents…as well as asking me to include 10.5 interesting things I learned while researching the book. And to Luckybuzz for the great comment.
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September 6th, 2008
by Lee | Filed under Reviews
Thanks to Pasha Malla for the amazing book review in the Globe this weekend!
Sprawling, innovative, exhilarating
THE MAN GAME By Lee Henderson Viking Canada, 513 pages, $32 It begins with a handshake, a moment of solemnity and ritual before all hell breaks loose: A bizarre, cartoonish competition that combines ballroom dancing, ultimate fighting, wire-work kung fu and bare-knuckle boxing in a gracefully brutal show of, essentially, two men beating the hell out of each other.
Print Edition - Section Front
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August 30th, 2008
by Lee | Filed under Reviews
Dan Rowe reviews the book for the Vancouver Sun… I cut out the last part where he disses me because the rest of the review makes some decent observations worth archiving here…
Saturday » August 30 » 200
Reimagining the past Lee Henderson conjures up Vancouver in the 1880s Dan Rowe Special to the Sun Saturday, August 30, 2008 THE MAN GAME BY LEE HENDERSON Viking Canada, 513 pages ($32) - -
Lee Henderson’s first novel, set in Vancouver, features frequent drug use, a thriving sex trade, violent rivalry between groups battling for territory and business, an uneasy relationship between ethnic groups, a tragic wheelchair-bound figure named Sammy and even a disembodied foot that turns up on the shore. However, The Man Game, which also features the daughter of two vaudevillians as a main character, a cameo by the Knights of Labour and the construction of the CPR station on False Creek, is primarily set in 1886 and 1887. But this is not your mom’s historical novel. Henderson has set his story in the past but doesn’t rely on research or notable historical events to guide the narrative. In fact, the recent novel The Man Game most reminds me of is Matthew Sharpe’s Jamestown, which reimagined the well-known story of the settlement of the Virginia town (with John Smith, Pocahontas and friends) but set it in a post-apocalyptic future. Read the rest of this entry »
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August 30th, 2008
by Lee | Filed under Reviews
Thanks to Caroline Skelton at the North Shore News for the nice profile piece! It runs under the slow-news-day headline: Rules of The Man Game hard to pin down. I’ll copy-paste the piece and put it under the perforated fold line because I have no idea how long things stay on the weird canada.com website system… Read the rest of this entry »
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August 29th, 2008
by admin | Filed under News, Reviews

On a recent Vancouver Sunday afternoon, a young man stumbles upon a secret sport invented more than a century before, at the birth of his city. Thus begins The Man Game, an epic tale of loved requited and not, that crosses the contemporary and historical in an extravagant, anarchistic retelling of the early days of a pioneer town on the edge of the known world.
In 1886, out of the smouldering ashes of the great fire that destroyed much of the city,Molly Erwagen—former vaudeville performer—arrives from Toronto with her beloved husband, Samuel, to start a new life. Meanwhile, Litz and Pisk, two lumberjacks exiled after the fire, and blamed for having started it, are trying to clear their names. Before long, they’ve teamed up with Molly to invent a new sport that will change the course of that fledgling city’s history.
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August 5th, 2008
by Lee | Filed under Reviews

Check out the Quill & Quire review, it’s pretty decent!
Readers familiar with the grim suburban landscape of Lee Henderson’s 2002 short-story collection The Broken Record Technique may be surprised to discover that the Saskatoon-born, Vancouver-dwelling author’s debut novel digs deep into the hoary ground of Canadian history. Set mostly during Vancouver’s early years – when the city, awaiting a CPR hookup to the rest of the country, was still a rowdy Wild West outpost – The Man Game is indeed a historical novel, but one that operates according to its own cracked logic, conjuring a city peopled by gruff woodsmen, indentured Chinese labourers, corrupt city officials, and rapacious, opium-addicted industrialists.
The invisible thread that connects all these people is the raunchy, subversive “man game.” Invented by 17-year-old ex-vaudeville actor Molly Erwagen, who arrives in Vancouver with her crippled husband Sammy amidst the great fire of 1886, the game combines the violence and histrionics of professional wrestling with the graceful acrobatics of ballroom dancing – “a waltz with a clap in the face.” Performed in the nude, the game becomes a wildly popular spectator sport among the city’s downtrodden – which is to say, nearly everyone.
Henderson’s tale skips among a myriad of characters, painting an oddly comic, often grotesque panorama of city life like something out of Bosch – or Pynchon, for that matter. Inevitably, just like one of the performers of the man game, Henderson does at times swing wide of the mark, faltering on the novel’s ambitious narrative sweep. Sammy’s ward, for example, a Snauq Indian who speaks in a wooden patois (“A deer go to hide in the water”), is about as subtle as the cigar-store variety. And Vancouver’s mythic past never really connects to the humdrum reality of the novel’s present-day narrator, who stumbles upon a cache of man game memorabilia in an east side basement.
But as pure spectacle, The Man Game is as brilliant and twisted as a funhouse mirror, and Henderson is a wildly seductive ringmaster.
Reviewed by Stuart Woods (from the July 2008 issue)
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July 19th, 2008